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Framesail AI

Script to video AI, end-to-end.

Start with a brief, or bring your own script. One pipeline carries it through — script, cast, voiceover, storyboard, animation, final cut — and hands back a finished long-form video, with every character, environment, and style cue locked from the first shot to the last.

1,500 starter credits · no card required

From brief to final cut. One pipeline.

Six stations, wired in a deterministic order so the work from one becomes the input to the next. Drive the whole thing from a script — override any station when a project calls for it.

Stations
6
Brief → cut
one run
Render time
8–14 min

The pipeline at a glance

The output of one station is the input to the next.

  1. Station 01Create a video

    Start with a brief, not a blank timeline.

    Tell it what the video is about, how long it should run, and the register you're after — documentary, dramatic, deep-narrator. That one line is the whole input. Everything downstream renders from it.

    Brief entry that seeds the whole pipeline
  2. Station 02Generate or paste

    Generate a script, or bring your own.

    The script agent comes back scene-by-scene, with beats and pacing windows tagged for long-form retention. Or paste a script you already have and the pipeline respects it line for line. Edit it before anything renders.

    Scene-by-scene script editor tagging beats for video generation
  3. Station 03Lock your characters

    Lock every character and environment.

    The script analyst pulls out every character and environment the script names. Generate one reference image for each, set the art style once, and every shot from here renders against those references — character DNA and environment DNA, locked. It's why shot fifty still looks like shot one.

    Learn about style analysis
    Character and environment reference sheet locked across the project
  4. Station 04Lay the timeline

    Voiceover lays the timeline.

    Every voice block renders through the voice model you pick — ElevenLabs by default, MiniMax a swap away — with documentary, dramatic, and deep-narrator families tuned for long-form, not the flat text-to-speech you've heard a thousand times. That voiceover sets the timeline every later stage fills.

    Voiceover timeline driving the storyboard frames
  5. Station 05Fill the frames

    The storyboard fills the frames.

    The storyboard agent renders one frame per shot against your locked references, in time with the voiceover, so picture and narration stay in lockstep. This is where the script becomes something you can watch — every shot composed, lit, and framed before a single frame animates.

    Storyboard frames generated against locked references
  6. Station 06Animation & final cut

    Animate the frames, then ship the cut.

    Each storyboard frame animates into a video segment, on the video model you choose: Seedance, Veo, or Kling. Drop in title cards, lower thirds, and captions where you want them, then export a finished cut ready for upload, or for finishing in Premiere or DaVinci.

    Final cut timeline assembled from animated storyboard segments

Why script-first

The script is the spine.

Most tools treat the script as a transcript for voiceover and let the visuals drift. Here, every shot traces back to the same script and the same locked references — the reason long-form video generation holds together at length, and what powers the faceless video generator use case for cinematic channels.

What makes the script the spine

Built for writers, operators, and channels that ship.

Shot-level script analysis

The script doesn't just become voiceover. It's decomposed into shots, tagged with emotional beats, and turned into anchor frames that drive the animation.

Characters that stay characters

Define a character once in the script. Every shot they appear in renders against the same reference — across scenes, across episodes.

Cinematic narrator voices

Pick from documentary, dramatic, and deep-narrator voice families tuned for long-form retention. Your script reads the way a real channel sounds.

Edit any prompt, swap any model

Defaults are tuned for narrative long-form. When a brief calls for something different, override the prompt or swap a model per project.

Model stack

Your models. Your call.

No black box. A six-agent pipeline runs on frontier models you would pick yourself. Defaults are tuned for cinematic long-form, but you can swap them for whatever you want. Run the providers you trust.

Script

3 providers

GPT-5.4

OpenAI

Swap model

Image

2 providers

Nano Banana Pro

Google

Swap model

Video

3 providers

Seedance 2.0 Pro

ByteDance

Swap model

Gemini Omnisoon

Voice

2 providers

ElevenLabs v3

ElevenLabs

Swap model

Your stack

GPT-5.4 · Nano Banana Pro · Seedance 2.0 Pro · ElevenLabs v3

The field moves fast — as new frontier models ship, they land right here, so your stack keeps pace without you lifting a finger.

Questions

Script to video AI, answered straight.

How does the script to video AI actually work?

It runs as six stations, brief to cut. You paste a script (or generate one from a brief); the script analyst extracts every character and environment as a reusable asset and locks references; the voice model you choose renders the voiceover; the storyboard agent renders one frame per shot against those locked references; each frame animates into a video segment; and the final cut assembles itself. You can edit any station before the next one runs.

Do I need to write the script myself?

Either works. Bring your own script and the pipeline respects it line-for-line. Or hand the script agent a one-line brief and a target length, and it drafts a scene-by-scene script you can edit before generation continues.

What length of script does it support?

Built for long-form. The pipeline regularly renders 8–18 minute pieces end-to-end. Shorter clips render faster — usually 8–14 minutes for a 12-minute final cut.

Will characters stay consistent across shots?

Yes — that's the architectural point. The reference asset stage locks character likeness and environment design before any shot is rendered, so the same character looks like the same person from shot one to shot fifty.

Can I export to Premiere or DaVinci?

Yes. The final cut exports cleanly into a standard editor. Most operators finish in DaVinci or Premiere; the pipeline is built to drop in there, not replace it.

What does it cost to try?

Free, with 1,500 starter credits — enough for a full short cinematic render. Paid plans start at $18/month for the Creator tier at launch rates. See the full breakdown on the pricing page.

More on the main FAQ page, or read about the pipeline on the about page.

Bring a script. Leave with a cut.

Free to start. 1,500 credits — enough for a full short cinematic render. No card required.