Script to video AI.

It runs as six stations, brief to video, and the pipeline hands each station's output to the next in a deterministic order. You paste a script (or generate one from a brief); the script analyst extracts every character and environment as a reusable asset and locks references; the voice model you choose renders the voiceover; the storyboard renders one frame per shot against those locked references; each shot renders as a still or an animated clip; and the final video assembles itself. Edit anything before the next station runs.

Either works. Bring your own script and the pipeline respects it line-for-line. Or hand the script agent a one-line brief and a target length, and it drafts a scene-by-scene script you can edit before generation continues.

Built for long-form. Videos are assembled scene by scene, so the length scales with your script and credits rather than hitting a model's clip limit. Short pieces work too — they just use fewer credits.

Yes — that's the architectural point. The reference asset stage locks character likeness and environment design before any shot is rendered, so the same character looks like the same person from shot one to shot fifty.

Yes. The video your script produces exports into any standard editor — take it into DaVinci or Premiere, or upload it as-is. None of the output is locked to Framesail.

Plans are on the pricing page — a Creator tier, a Pro tier, and a BYOK option if you'd rather run on your own model keys.

Yes. Shots render on frontier video models and export at up to 4K, so the output holds up on a big screen instead of reading as low-res AI. The pipeline is tuned for a professional, cinematic finish — clean framing, stable art style, and high-fidelity detail — rather than the quick slideshow look most script-to-video tools ship.

Before any shot renders, the pipeline locks a reference for every character and environment the script names. Each later shot renders against that same reference, so a character's face, wardrobe, and the overall art style stay consistent across every scene — the temporal coherence that stops the drift and flicker you get when each shot is generated in isolation. That's the whole reason shot fifty still looks like shot one.

Yes — long-form is what it's built for. The video assembles scene by scene from your script, so length scales with the script and your credits instead of hitting a single model's short clip limit. A ten- or twenty-minute narration renders as one coherent piece, with the voiceover setting the timeline every shot fills.

Both, in one run. You pick a voice family — documentary, dramatic, or deep-narrator — and the pipeline renders the AI voiceover from your script first, then lays every shot in time with it. Picture and narration stay in lockstep, so what you export is a finished video with voice, not a silent render you still have to score.

There's no permanent free tier. Generating cinematic long-form video runs real model compute, so it isn't free to leave open. You can start on the Creator tier to try the full pipeline end-to-end, and the BYOK option lets you run on your own model keys if you'd rather pay the frontier models directly. Pricing is on the pricing page.